TAKING TIANHAN CULTURAL PARK AS AN EXAMPLE: RESEARCH ON THE CURRENT SITUATION AND DESIGN OF CONTEMPORARY VILLAGE MUSEUM

LYU Chang; WEI Chunyu

doi:10.13204/j.gyjzg21022003

Volume 51 Issue 10

Feb. 2022

Turn off MathJax

Article Contents

Article Navigation > INDUSTRIAL CONSTRUCTION > 2021 > 51(10): 74-80

LYU Chang, WEI Chunyu. TAKING TIANHAN CULTURAL PARK AS AN EXAMPLE: RESEARCH ON THE CURRENT SITUATION AND DESIGN OF CONTEMPORARY VILLAGE MUSEUM[J]. INDUSTRIAL CONSTRUCTION, 2021, 51(10): 74-80. doi: 10.13204/j.gyjzg21022003

Citation:

LYU Chang, WEI Chunyu. TAKING TIANHAN CULTURAL PARK AS AN EXAMPLE: RESEARCH ON THE CURRENT SITUATION AND DESIGN OF CONTEMPORARY VILLAGE MUSEUM[J]. INDUSTRIAL CONSTRUCTION, 2021, 51(10): 74-80. doi: 10.13204/j.gyjzg21022003

Citation:

PDF( 7224 KB)

TAKING TIANHAN CULTURAL PARK AS AN EXAMPLE: RESEARCH ON THE CURRENT SITUATION AND DESIGN OF CONTEMPORARY VILLAGE MUSEUM

doi: 10.13204/j.gyjzg21022003

College of Architecture, Hunan University, Changsha 410082, China

Received Date: 2021-02-20
Available Online: 2022-02-21

Abstract

Abstract

Chinese village museums originated from the ecological museums that were born at the end of the 20th century, and gradually developed in the direction of small-scale, service-oriented functions, and modern facilities. At present, the village museum has shifted from focusing on the overall protection of the regional ecological environment and cultural heritage to playing an active role for the locals in strengthening cultural self-identity, enriching spiritual life, and displaying regional culture. With the popularity of the rural tourism industry, village museums have developed rapidly but are also facing some difficulties. Taking Hunan Tianhan Cultural Park as a research case, the paper attempted to analyze the setting-style space experience from the perspective of the dramatic situational space,so as to provide new explorations and attempts in addition to the prevailing design phenomena such as symbolization, imagery, and collage.
- village museum,
- vernacular architecture,
- public space,
- dramatic,
- situational space

FullText(HTML)

References(22)

References

[1]	潘永守.生态(社区)博物馆的中国经验与学术性批判反思[J].东南文化, 2017, 33(6):115-117.
[2]	张琰, 郑霞.全域旅游视角下社区博物馆发展策略的思考[C]//中国博物馆协会博物馆学专业委员会2019年"新时代博物馆专业能力建设"学术研讨会论文集.北京:2020:302-305.
[3]	黄贞燕.博物馆, 知识生产与市民参加:日本地域博物馆论与市民参加型调查[J].贵州社会科学, 2014, 35(6):39-45.
[4]	雨果·戴瓦兰, 张晋平.新博物馆学和去欧洲化博物馆学[J].中国博物馆, 2005, 22(3):28.
[5]	徐欣云.乡村博物馆的界定及社会价值研究[C]//中国博物馆协会博物馆学专业委员会2016年"博物馆的社会价值研究"学术研讨会论文集.北京:2017:69.
[6]	蒂姆·卡尔弗豪斯, 田丹妮.《建构文化研究》书评[J].时代建筑, 2011, 28(3):132-133.
[7]	朱亦民.现代性与地域主义:解读《走向批判的地域主义——抵抗建筑学的六要点》[J].新建筑, 2013, 31(3):28-34.
[8]	赖德霖.地域性:中国现代建筑中一个作为抵抗策略的议题和关键词[J].新建筑, 2019, 37(3):29-34.
[9]	卢健松.建筑地域性研究的当代价值[J].建筑学报, 2008, 55(7):15-19.
[10]	支文军, 徐蜀辰.包容与多元:国际语境演进中的2016阿卡汗建筑奖[J].世界建筑, 2017, 38(2):14-22.
[11]	田夏萌.中国生态博物馆的建设实践:以贵州六枝梭嘎生态博物馆为例[J].长江丛刊, 2019, 6(33):142-143.
[12]	吕建昌.博物馆"社区"概念以及社区博物馆[C]//回顾与展望:中国博物馆发展百年:2005年中国博物馆学会学术研讨会文集.北京:2005:240.
[13]	郑奕.博物馆教育活动研究[M].上海:复旦大学出版社, 2015:22.
[14]	魏春雨, 黄斌, 吕昌.回到建造:田汉文化园[J].时代建筑, 2019, 36(2):89-92.
[15]	袁野.戏剧与建筑[J].建筑师, 2010, 8(3):83-84.
[16]	彼得·布鲁克.空的空间[M].邢历, 译.北京:中国戏剧出版社, 1988:1.
[17]	杨舢.场景城市:戏剧与公共空间[J].建筑师, 2015, 13(1):70-78.
[18]	张浩.戏剧情境体验下的建筑空间叙事研究[J].美与时代(城市版), 2020, 6(7):10-11.
[19]	老舍.茶馆[M].北京:人民文学出版社, 2002:6-7.
[20]	杨慎初.湖南传统建筑[M].长沙:湖南教育出版社, 1993:110-111.
[21]	C·亚历山大.建筑模式语言[M].王听度, 周序鸣, 译.北京:知识产权出版社, 2002:57-58.
[22]	李智兴, 罗杰威, 赵亚飞.读《建筑的取决因素》:松弛空间理论的哲学解读[J].建筑师, 2020, 18(8):76-83.