From Objective Substances to Implicit Imagery: Translation of Nature Aesthetics in Architecture

GAO Yan; HUANG Yanzi; SUN Kefeng

doi:10.13204/j.gyjzG21083005

Volume 52 Issue 6

Sep. 2022

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GAO Yan, HUANG Yanzi, SUN Kefeng. From Objective Substances to Implicit Imagery: Translation of Nature Aesthetics in Architecture[J]. INDUSTRIAL CONSTRUCTION, 2022, 52(6): 55-60. doi: 10.13204/j.gyjzG21083005

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GAO Yan, HUANG Yanzi, SUN Kefeng. From Objective Substances to Implicit Imagery: Translation of Nature Aesthetics in Architecture[J]. INDUSTRIAL CONSTRUCTION, 2022, 52(6): 55-60. doi: 10.13204/j.gyjzG21083005

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From Objective Substances to Implicit Imagery: Translation of Nature Aesthetics in Architecture

doi: 10.13204/j.gyjzG21083005

1. School of Art and Archaeology, Zhejiang University, Hangzhou 310028, China;
2. China Academy of Art, Hangzhou 310028, China

Received Date: 2021-08-30
Available Online: 2022-09-05

Abstract

Abstract

Nature aesthetics are aesthetic views taking humans as cognitive subjects and nature as the object of knowledge. The relations of humans, architecture and nature were discussed through the reconstruction of nature aesthetics in architecture, and a non-confrontational architectural concept with nature was proposed. Objective substances, natural laws and theories, and implicit architecture imagery were the three ways of translating nature aesthetics into the language of architectural forms, which were expressed in the concrete transformation of images, the logical isomorph of principles and the comprehensive creation of artistic conception. The harmonious symbiosis among those three provided a diversified and open form language for modern urban architectural design.
- nature aesthetics,
- architecture,
- formal language,
- translation

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References

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